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・ Philip Alexander Bruce
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・ Philharmonic Symphony of Westchester
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・ Philharmonie
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Philia (Greco-Roman magic)
・ Philia (song)
・ Philia culture
・ Philibert
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・ Philibert Babou de la Bourdaisière
・ Philibert Berthelier
・ Philibert Berthelier (Geneva patriot)
・ Philibert Berthelier (Son of Geneva patriot)
・ Philibert Borie
・ Philibert Bouttats
・ Philibert Chabert
・ Philibert Charles Berjeau
・ Philibert Commerson


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Philia (Greco-Roman magic) : ウィキペディア英語版
Philia (Greco-Roman magic)

Out of all of the forms of love magic that existed in the Greco-Roman world, the two most common were eros and philia. Unlike eros, which was more commonly used by men, philia magic was utilized by women and others who were considered to be social inferiors.
Since there was an emphasis on service to the state in Greco-Roman culture, these social inferiors felt like they were doing their country a service. If a woman was capable of repairing her broken marriage and improving her husband’s interaction with the neighbors through magic, society was benefiting as a whole. Despite this protective purpose seen by women, philia spells were looked down on by men. They were a great source of anxiety because men saw them as tools used by the social inferiors to hijack power from the male-dominated hierarchy.〔Faraone, Christopher. Ancient Greek Love Magic. Cambridge, Massachusetts, Harvard University Press, 1999.〕
== The use of spells ==

Through the use of spells, women were hoping to bring out the pleasant personal qualities of their significant others and make them increasingly submissive in order to strengthen their bond. The spells consisted of many objects found in the everyday life of a woman including narcotics, amulets, rings, knotted cords, and facial ointments.〔 Although the violent and passionate images typically depicted in eros were not found in philia, it is important to remember that like eros, the ultimate purpose of philia magic was to take control of the victim.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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